Wedding entertainment stalls

It depends almost entirely on guest count. Above 300 guests a magnet stall is the only one that reaches most of the room, at 60–70 an hour per artist. Below 150, a caricature artist reaches a similar share and holds a crowd while doing it.

The one with a place to live. A magnet goes on a fridge door and is still there a year later; a box of sweets is gone in three days and a trinket goes in a drawer. Personalised beats branded, because a guest keeps their own face, not your monogram.

A small counter set up at your venue with a camera, a printer and a press. Guests are photographed, the picture is printed and mounted onto a magnet in front of them, and they walk away holding it about ninety seconds later.

Anything with a visible outcome beats anything that has to be organised. A live stall, a caricature artist or a staffed candy counter each give guests somewhere to walk to and something to take home, and nobody has to be talked into joining in.

Yes. Alongside the glossy square magnet we make a clear acrylic panel printed with the same photograph. Both are made live at the counter — say which you would prefer on the enquiry and we will quote it.

That is what most couples book it for. Nothing has to be bought in advance, stored or handed out, nothing is left over, and every guest collects their own with your names and the date already on it.

Sixty to seventy per hour, per artist, once the queue has settled. The first fifteen minutes are slower while people work out what the stall is. A four-artist booking clears a 500-guest wedding comfortably in a three-hour slot.

Yes, and at larger weddings it works well — magnets handle volume while a caricature artist holds a crowd. Booking two together costs less than booking them as two separate events.

That is the default. Weddings get the couple's names and the date; corporate bookings get the company logo on the souvenir, the backdrop and the stall signage. Send a vector logo file if you have one.